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Red Notes

Hieroglyphic Being Red Notes Vinyl Stunning new album from Chicagos finest electronic futurist Hieroglyphic Being, aka Jamal Moss. This is his third album for the label, following on from The Acid Documents (2015), and African With Mainframes (w/ Noleian Reusse) K.M.T. (2016). Born and based in Chicago, Mosss music embodies two of the cultural foundation blocks of the citys musical lineage; that of Chicagos original Acid House sound (c. 1986) - Frankie Knuckles, Phuture, Marshall Jefferson et al, alongside a rigorous experimental sound searching that taps into the cosmic musical lineage of pioneering artist Sun Ra whose Arkestra landed and was based in the city from 1946-61, and the equally pioneering work of The Art Ensemble of Chicago in the 1960s and 70s. The association with Sun Ra is by no means hypothetical, Moss recorded with the Arkestra leader Marshall Allen and a host of free jazz players for the album Hieroglyphic Being & JITU Ahn-Sahm-Buhls We Are Not The First. (2015). Similarly, his relationship to Chicagos original acid house pioneers of the late 1980s is no hyperbole. Originally mentored by artist/producers Adonis and Steve Pointdexter, Moss also runs his own Mathematics label, releasing a constant stream of new music by foundation acid house pioneers Lil Louis, Adonis and many others. What clearly defines Mosss music is that while sometimes pushing the limits of sound to an ear-splitting dimension of experimentation and DIY-electronics the music is always clearly a progression of the lineage of black music. In the words of fellow Chicagoans, The Art Ensemble of Chicago, it is simply Great Black Music. And yet in this uniquely defined sound, Moss somehow manages to draw into this world elements of industrial music, German electronic music (Cluster, Harmonia etc), Detroits sci-fi techno artists (Atkins, Saunderson, Craig) and more. Outsider House Afro-Futurist Rhythmic Cubism, Mosss near indescribable sound plays testament to the notion that he is perhaps the last of the line of producers directly influenced by Ron Hardy at the Music Box, uniquely qualified to write a new chapter of Chicagos rich musical history. Red Notes is the prolific artists new revelatory and unique project in his own words A homage to the Blue Note Jazz sound of Thelonious Monk, John Coltrane, Herbie Hancock fused together with the classic Chicago House and Acid sensibilities of Larry Heard, Armando, Adonis et al, into a newly imagined futuristic and barrier-less musical landscape. Featuring organic and synthetic electronic instrumentation, Hieroglyphic Being here fuses real-time live instrumentation and over-dubbed technologies to dramatic effect, as analog and electronic worlds collide.

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